Visual Touch

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My first foray into the medium of photography was in making close-up images, technically called “macro photography.” Growing up in a city, even in rather suburban-like Northeast Philly, I had access to limited nature. My interest in nature drove my image making anyway. Because of this, I had to find my inspiration in very small areas (square feet instead of square miles). A macro lens allowed me to make images within a field of view of inches. At that level of exploration, everything becomes interesting and new.

Since that time, the content of my images has expanded to include every scale of nature (wildlife, landscape, even the universe!). Now I live on a farm (very un-city like). And, I find myself looking to explore again at the macro level. I find that I can express as much in the space of a few inches as I can in a landscape depicting a few acres.

Images of the macro kind are made with the same thoughts and feelings as any other type of image. I still deal with experiences, metaphors, color, line, shape, texture, light — just in a smaller area.

Above is an example of an image I made a while ago at Longwood Gardens (just outside of Philly). It is a minimalistic piece with strong color. The color content is harmonious more than complementary. The yellow against the red is very powerful. Keeping the brighter yellow as a small part of the image, I feel, keeps the image balanced.

Just as you say that a body feels warm to the hand, so you might say that it feels red to what you see with” ~ Virgil C. Aldrich.

 

Rittenhouse Square – Philadelphia

I’m looking forward to this weekend. I will be exhibiting with the Pennsylvania Guild of Craftsmen at Rittenhouse Square in Philadelphia.

There will be new work! I have been creating images with a couple unique themes. I am excited about both new bodies of work. The first set of imagery is being done with a variety of antique lenses and plays with light and color as reflected off of the flowers that grow in meadows near my studio. The second set of imagery is being done with macro lenses and deals with light refraction off of water drops on plant leaves and petals. In future posts I will be speaking about these new bodies of work in more detail.

The image below is part of the first new body of work and was made with an antique Meyer Optik Gorlitz 135mm f3.5 lens (Exakta mount) that I purchased on eBay from an overseas seller. The lens, when used correctly, can render background elements with a very soft, etherial feeling. The out-of-focus highlights expand into spherical shapes that I find very pleasing. I used the lens on a Fuji XT-10 camera body with an adaptor that allows it to be used on the camera. Exposure is done in manual mode as is focusing, but the Fuji has a wonderful electronic viewfinder which allows me to precisely select the area I want to be sharp.

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Strawberries

It’s the Strawberry Festival at Peddler’s Village in Lahaska, PA this weekend! I will be set up in my gallery-on-the-go canopy both Saturday and Sunday. The forecast looks great! Oh, and did I mention there will be strawberries?

In this colorful image bellow of a brilliant red flower, I have isolated the stamen with emphasis on the bright yellow anther. This is one of the fun and creative ways I like to work with macro photography. Simple form and strong color can make for a dynamic image. Here I was using a Panasonic G2 with a Lensbaby attachment that allows me to use a Nikon 55mm micro lens.

(c) 2011 Paul Grecian

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