I am a big fan of Japanese woodblock prints, especially those relating to nature. The aesthetics of simplicity, muted color, and brilliant use of space (positive and negative), is very pleasing to me. Over the last several years, I have been conscious of my desire to work in a more minimalist style. One way in which I create in that style is with a long telephoto lens. With the narrow perspective and thin depth of field of a long lens I can isolate objects and compress elements within the composition.
This beautiful Weeping Cherry tree is one of my favorite features of our farm property and one which I go to each spring to experience anew. On this overcast April day, I watched a House Finch explore the tree’s bowing branches. The combination of pink flowers and rosy red of the House Finch create a harmonious combination. I composed for a bit of contrasting tonalities in the background and with sufficient negative space on the left to keep the image airy and light.
I like this new piece very much. It represents the direction my work has been heading now for a few years and which I am continuing to build upon. I made the print on a matte paper which maintains the subtlety of tones and softness of the light. It will be introduced this weekend in Timonium, Maryland as I tour with the Sugarloaf Craft Festival.
The finished piece titled House of the Weeping Cherry, is approximately 10×14, double-matted to 16×20 with all acid-free materials, and framed in white with UV-Protective, Reflection-control glass. The Edition is limited to 100 and is part of “The 100” Series, priced at $239.00 framed and $114.00 matted. Both are available at my gallery on-line HERE.