The Making of “Opus 1”

Opus I

My approach to the medium of photography is as an artist. Because of this, I try not to have preconceived notions about how photography “should” be done and think instead only of the imagery I want to create. I do however work within the medium to create images that are best rendered as a photograph, not in a contrived way in order to make it look falsely like another medium.

My approach means that the images I create are conceived to be made primarily in the

OLYMPUS DIGITAL CAMERA
Film Projector Lens

field through the use of traditional photographic methods, i.e., camera and lens. For an impressionistic image like the one above (titled Opus 1), I used an old 120mm f1.9 Carl Zeiss Jena film projector lens which had been fitted with an adapter giving it an M42 mount. With that mount, I was able to then add an additional adapter to allow it’s use on a Fuji digital interchangeable lens camera.

As a film projector lens, it has no focusing mechanism, no aperture control, and no way to communicate with the camera. The M42 adapter on the lens has a built in helicoid which allows me to “focus” it buy turning the lens and causing it to be closer to or further away from the camera sensor. With no aperture, the lens is only usable at it’s f1.9 rating. This large aperture means lots of light gets in and  depth of field is very thin. But for me that’s the whole point of using this big, hazy, scratched, and fungus growing, chunk of glass.

The lens is a beast and unruly on a camera, but I feel the rendering matches my aesthetic very well. As I continue to develop a view of the world which is more impressionistic, I find myself wanting to use this lens more and more. For the image above, I had been struggling with modern traditional lenses to isolate flowers in this meadow and simplify the background. The fall off of focus with this projector lens is very sudden and creates a unique type of bokeh that I have not achieved with any other lens.

Many people think that Opus 1 is a painting. I inform viewers that it is in fact a photograph, but one done in a painterly style. By painterly I do not mean the use of artificial brush strokes, but rather an emphasis on color and form instead of linear definition.

 

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Balance of Forces

Balance of Forces

I am introducing a new piece in my botanical series. This image was made using a vintage lens which is some 60-70 years old. I am using a collection of these lenses to achieve a softness and quietness in the images which matches my personal aesthetic.

As an admirer of Piet Mondrian, I am inspired by his work and philosophy.  “Mondrian believed that art reflected the underlying spirituality of nature. He simplified the subjects of his paintings down to the most basic elements, in order to reveal the essence of the mystical energy in the balance of forces that governed nature and the universe.” I especially feel aligned with his philosophy that art reflects the spirituality of nature.

The clean geometry and basic colors of his work makes it dramatic and  very appealing to me. In my image above, which I have titled “Balance of Forces”, I use the lines of the grasses to compose an image with parallel lines and triangular shapes to create a sense of movement and dynamic visual interest. I selected the background for this image first as it is of equal importance to the final result as the foreground grasses. I aligned the area of yellow wildflowers in the background so that they brought the eye to the top center of the image from which the lines of the grasses would then cause exploration throughout the frame.The yellows also provided nice color contrast to the blues throughout the image.

Available as a giclee on either photographic paper or canvas from my gallery on-line.