As an indie artist I feel it is important to maintain an authenticity in my work that speaks honestly to who I am. In the art world in which I exist, there are many players. It is both a smart business move and my absolute desire to distinguish myself as an artist. When I’m comfortable and confident in the work I am doing I have also been more successful in the art I create.
For me, this image only ever had one interpretation. An independent, self assured, non-conformist who would do it’s own thing regardless of the social pressures put upon it. The title “Be Yourself” came to me quickly. Notice the bird doesn’t completely isolate itself from it’s social system, but neither does it feel compelled to always be a part of the group. It is still close enough to be a part of the picture, but also able to be it’s own…….well, bird.
Like many images I have been making recently, this one was made on our farm. Tall electrical poles and long wires run along the creek at the back of our property. I often watch how various birds use this seating area and how they interact with each other. My university background in Psycho-biology (Animal Behavior) still informs my work. I was initially absorbed with pondering this individualist soul. Rock Doves are very social animals as can be seen by the tight group behavior on the top wire. So what was up with this rebel bird?
After a short while I began to see the scene for its simple geometry. I began composing in my head……….then ran to the studio to grab some gear. I’d need a long lens but one that would give me compositional freedom…..a zoom lens then! Since the sky was overcast, I knew I’d need to over expose the image. I wanted a stark, blank sky anyway so that worked out. Ultimately I printed the image as a black and white on a matte finish paper which gives the piece the character of a pencil drawing.
Its a fun piece, one that I have been offering at shows only since the beginning of June. The response has been interesting eliciting a variety of feelings about it. Some see the individual bird as I do, others as an outcast. Some just feel sorry for the poor thing. It may be a bit of a Rorschach Test type of image. We relate to the bird on the lower wire in our own unique personal-history, life-experience kinda way.
Archival pigment giclee prints are available matted and framed on my website HERE.
“The enjoyment of beauty is a kind of escape from, a going out from, the urgencies of place and time.” ~ Virgil C. Aldrich (American Philosopher, 1903-1998)
There was a point early in my career where I realized that the process of creation was no longer an option. The act of creating had became an escape from the everyday stresses of life. If I didn’t get into the field at least once a week, I went into a low level depression (withdrawal?). Being out in nature was a big part of what drove the creative process. The science is clear about the benefits of being in areas of woods, around water bodies; even just looking at pictures of nature lowers stress levels.
I have come to realize as well that beauty itself drives my creative process and can serve as an escape. One of the benefits of working in the arts is the ability to create things of beauty. I can create my own escape when I need it. In my farmhouse studio space I can explore subjects in detail at my own pace and experience a world of beauty all to myself. For me art is all about experiences.
The image above was the result of an exploration of a silk moth which I found on our farm earlier this spring. Discovering its intricate wing scale design was a joyful experience. It felt like I was looking at a mosaic of tiles when I viewed a section of wing close-up. For the period of time in which I created images I thought of nothing other than the wonderfulness of the color and pattern. With its rhythm of scales though, it was the curve of the wing that I was drawn to most.
Curves introduce a feeling of tension. While sensual in form, curves imply resistance. Straight is less tense while driving; a curved road requires more expenditure of energy to maneuver. A river that flows through an oxbow is constantly fighting the curves. Straightness implies a fight with gravity which is lost, or even a struggle with death no longer fought. Leo Stein (American art collector/critic, 1872 – 1947) remarked, “Tension in line can be observed if one will follow the outline of a vase and notice the force it takes to bend the line of a contour.” Curves to me speak to a life force, something I think art can convey uniquely.
Artistic growth. It is not something planned, it happens organically as experience and knowledge are gained. When I first started working with a camera, my primary intent was to record what I saw. It was a rather literal representation that guided my purpose. I’ve been working with a camera for 40 years though and have long understood that photography is not just a literal medium. It is a selective, abstracting, very plastic medium when so desired.
When one looks at the world with artistic vision, with the need to express feeling, and personal values, the medium of expression is of little relevance. I find myself less interested in the typical photographic renderings based on sublime locations and extraordinary events. If an image elicits a response of “luck”, “right-place, right-time”, or “where did you get that?” I wonder if I am creating something personal enough. While, there are certainly times and places which drive me to make images, I hope that those images are more than recordings. I want them to be about something bigger than the content in the frame.
While any selective process has an element of personal meaning to it, I acknowledge that my response to an event or place can be guided by a desire to impress others or for financial gain. As an artist who must live off the work he does, I accept that my motivation is from more than one thing. But also, as an artist, I have to create images consistent with what drove me to be a full time artist. Right now, that work is rather different than when I started, and even different than what I was creating 5 years ago. If I were still creating the same pictures that I was 30-40 years ago (or even five years ago), I would be stating that my life and experiences have led me nowhere new, that I have not grown, or changed in any way. And that would not be true.
Much of my new work is done on the 7 1/2 acres of farmland my artist wife and I own, or in my studio within the farmhouse. Here the aesthetic experiences are simple but no less profound. As in other locations where I have worked for many years, I see more deeply with increased submersion. On or near the farm, I have daily, seasonal, and yearly interaction with nature and it is here that my most authentic work is now done.
One of the things I really enjoy about living in this part of the country (north-central PA), is having four distinct seasons. So when I received an inquiry from a customer about doing a four-seasons arrangement with trees being prominent, I was very pleased. My client had already selected three pieces from my gallery on-line and wanted me to work up some options specifically for spring. After sending her several thumbnail images, she made her choice. But still a bit uncertain, she needed something else.
It always helps to be able to visualize an art arrangement on a wall, so I sent her a mock -up image of the pieces she selected. Not only did she have a better sense of how the selection would look together, she loved my specific arrangement. As an artist, it is rewarding to me that I can both create works that speak to people, and assist in how they will live with the art they purchase.
I sometimes feel transported back in time by the simplicity of the rural landscape around me. I can imagine that it is the middle of the Nineteenth Century with no wires, no automobiles, no cell towers. On a wintry day with snow on the ground, the landscape becomes even more stark. Working with the most modern of photographic tools, I still felt compelled to create a monochromatic piece suggestive of old glass-plate days and wonky lenses.
It’s always exciting and fun to have a new project for a client. This current request for a four seasons collection had me considering works depicting spring trees. The image making process for me is always intense, so each trip through my collection of images brings back memories and emotions.
This image was made in Bucks County, PA early in the morning from a position where I could place the sun behind the early spring buds. Their rich colors were emphasized by the the back lighting, a polarizing filter, and contrast development in Lightroom.
It’s kind of nice to be thinking about spring on a cold, windy winter day.
The first edition of the Shady Grove Farm Open Studio Show was exciting and rewarding for both Linda and myself. On Saturday and Sunday, and in rain and shine, we shared new work, conversation, and experiences in our studios.
Our show of June 9-10 was an opportunity to expose both previous and new buyers to our most important inspiration — Shady Grove Farm. Our farm serves both as the place where we create and prepare our work for buyers from around the country and even around the world. Many of my recent pictures have been created in the meadows and gardens on the farm. In addition, my Barn Cat Series is now going on its third year and has been very well received.
I think it is always interesting to see where artists work and to experience a location that is especially important to driving their creative imagination. Linda and I were able to offer that experience with this first studio and show and now can begin to plan our next! We’re already excited about it. Until then, we have the busiest six month show circuit period we’ve ever scheduled. So, it’s back to the studios for us.